Email #2

Hello all:

1. I am attaching a couple of articles/interviews for your reading in preparation for our first meeting Monday, March 2nd. The John Lahr piece from the New Yorker has become so “definitive” over time that excerpts of it are used as the foreword to one of the plays in the hardback edition. The interview with Derek Walcott contains gems and richness that makes it unique among Wilson interviews.

2. A couple of you have emailed me with questions about the Arena Stage production of Seven Guitars. I have held off on finalizing plans to attend, though we intend to see it. There is as of yet no plan to try to see it as a group, but that certainly is something we can discuss next Monday.

3. I thought we would use the first meeting to discuss the attached readings and set the tone of the study group. It is always interesting to know how and why folks come to choose this study group, what you hope to get out of it (learning objectives), and the always interesting backgrounds we all bring to the group that may contribute to our understanding of the plays (learning subjectives). Then, on the second meeting, Monday, March 9, we will take the plunge into the first play, Gem Of the Ocean.

4. It is a good idea now to begin making arrangements to acquire the first three or four plays. If you are lucky, you can find a few at local public libraries, but in past sessions, most end up purchasing the books online or at local bookstores.

5. I’ve been maintaining YouTube playlists for each play through the past sessions. I will make those links available weekly, in advance of our meeting, as well as links to blog posts I’ve been making on each play. But the main work is to actually read the play, engage with the text, and be prepared to discuss when we get together in the study group. In previous groups, we have started out with each participant bringing in a passage to read and discuss. Something else to talk about when we get together on the 2nd.

6. OK. Enjoy what remains of the weekend! Please feel free to reach out to me with any questions you may have.

Reading schedule for Spring, 2020

All: A proposed schedule. This will be the first session of not plunging into the first play in week one. But it means devoting a whole week to the important first play, instead of sharing that first meeting with getting to know one another, also an important part of the the study group. Of course, everything is subject to negotiations.   

Week 1:  March 2, 2020 – Introduction, discuss interview and selected readings

Week 2: March 9, 2020 – Gem of the Ocean (2003).  Synopsis: Set in Pittsburgh in 1904, the play features a man whose small crime has had deadly consequences for another man. Feeling guilty, he comes seeking the spiritual healing of Aunt Ester. A recurring character in Wilson’s plays, Ester claims to be 285 years old and is the kind matriarch of her household in Pittsburgh.

Week 3:  March 16, 2020 – Joe Turner’s Come and Gone (1984).  Synopsis: Set in a Pittsburgh boardinghouse in 1911 featured in a Romare Bearden painting, the ensemble play includes characters who were former slaves and examines the residents’ experiences with racism and discrimination.

Week 4:  March 23, 2020 – Ma Rainey’s Black Bottom (1982).  Synopsis: Set in 1927 in a Chicago recording studio (the only ten-cycle play not set in Pittsburgh), Ma Rainey examines racism in the history of black musicians and white producers, and the themes of art and religion.

Week 5:  March 30, 2020 – The Piano Lesson (1986).  Synopsis: Set in 1936 and named after a painting by Romare Bearden, the play follows the Charles family in the Doaker Charles household. A brother and a sister have different ideas about what to do with their piano, a family heirloom. Sell it to purchase land their enslaved ancestors once toiled upon, or keep the piano, which includes carved depictions of two distant relatives.

Week 6:  April 6, 2020 – Seven Guitars (1995).  Synopsis: Set in Pittsburgh in 1948, blues singer Floyd “Schoolboy” Barton is newly freed from prison when he’s asked to sign a record deal after a song he recorded months before becomes a surprise hit. He struggles to right wrongs and make his way back to Chicago. Black manhood is a theme of the play and a rooster is used in to symbolize it.

Week 7:  April 13, 2020 – Fences (1984).  Synopsis: In 1957, Troy Maxson, a former Negro Baseball League player, is a bitter man in his 50s who works as a garbage man. His frustration and disappointments in life affect his wife Rose and son Cory, who like his father, is a gifted athlete

Week 8: April 20, 2020 – Two Trains Running (1990)..  Synopsis: Set in 1969, the play revolves around a restaurant in Pittsburgh’s Hill District, which has suffered a long economic decline. The restaurant owner, Memphis, worries what will happen when the city comes to claim the building through eminent domain. A young activist, Sterling, tries to organize protests and rallies that can help save the restaurant, but Memphis is not so supportive.

Week 9: April 27, 2020 – Jitney (1979).  Synopsis: Set in an unofficial taxi station threatened with demolition in 1977, Jitney explores the lives and relationships of drivers, highlighting conflicts between generations and different concepts of legacy and identity.

Week 10: May 4, 2020 – King Hedley II (1991).  Synopsis: Set in Pittsburgh in 1985, an ex-con tries wants to support a family and aims to get the money to open a video store by selling stolen refrigerators. The play features some characters from Seven Guitars.

Week 11:  May 11, 2020 – Radio Golf (2005) and wrap up.   Synopsis: Set in 1990 Pittsburgh, this play concluded Wilson’s Century Cycle and is the last play he completed before his death. The home of Aunt Ester (the setting of the cycle’s first play Gem of the Ocean) is threatened with demolition that will make way for real estate development in the depressed area. Investors include Harmond Wilks, who wants to increase his chance of becoming the city’s first black mayor. History and legacy challenge personal aspirations and ideas of progress.

March 2 start of the August Wilson American Century Cycle at OLLI-dc.org

We are three weeks and change away from the start of the 4th session of the August Wilson American Century Cycle study group in the spring semester of the OLLI program at American University. And another two weeks away from the biennial August Wilson Society Colloquium in Pittsburgh, March 12-15. It all runs together in terms of preparation work and I am so excited about it all!