The decades of the 20th century covered by each play are listed clockwise, beginning top and center with Gem of the Ocean, set in 1904. The blue lines with arrows indicate the order in which the plays were written, beginning with Jitney. Still working on the meaning & frequency of lines that cross.
Characteristics of the rhizome related to August Wilson’s plays (hypothetical).
1. Connections. The connections between plays/decades is just as important as the plays/decades themselves.
2. Heterogeneity. Any play can be connected to any other play or any series of plays.
3. Multiplicity. There is no original order for the plays, no prior unity.
4. Assignifying rupture. Connections between plays fail, rupture and remake themselves in various combinations.
5. Cartography and decalcomania. Discussions of themes can be entered via any play, mapped to any other play, and can conclude at any play.
It’s been a while since I’ve posted at #clmooc, but I haven’t forgotten you (or it). My work has taken me out of the classroom, but my volunteer activities have all been involved in various settings of adult education.
Most recently, I led a study group reading and discussing the plays of August Wilson that comprise his #AmericanCenturyCycle. Fiddling around, I came up with a rhizomatic approach to the plays, one for each decade in the 20th century.
Wilson’s plays all depict life in the black community (mostly in Pittsburgh), decade by decade. But here is the question. Can one deconstruct and reconstruct the order of a community’s history (through its surrogates, the plays) to find new meaning? In effect, is there a rhizomatic approach to history itself which we normally think of in linear terms? And what does this portend for teaching (and learning)?
Just beginning to arrange thoughts. Would love to hear ideas from the community.