Let me begin by saying this is the second time I’ve seen Radio Golf on the stage. The first time was nearly fifteen years ago, also in Baltimore, playing the regional theaters pre-Broadway.
Also, I am reading a book in preparation for the Spring 2020 session to sharpen my ability to look at a play analytically. David Ball’s Backwards and Forwards: A Technical Manual for Reading Plays. So that informs somewhat my review.
Finally, my GPS was on the blink and I missed the downtown exit and was five minutes late arriving at Everyman Theater, so I caught the first scene of the first act on a closed circuit screen, but got the rest of it on stage.
Altogether, it was a marvelous and amazing performance. Both Harmon (portrayed by Jamil Mangan) and Roosevelt (performed by Jason McIntosh) were compelling, convincing, and magnificent. In fact, by the end of the play I really disliked Roosevelt, emotionally, in a way I hadn’t from the mere reading and discussion of the play. He got to me. That must mean he really nailed his role. Charles Dumas as Elder Joe Barlow was delightful, personable, and charming and worked his way into everyone’s heart, including my own. Anton Floyd simply killed it as Sterling Johnson, the hard luck orphan and ex-convict from Two Trains Running, having become quite the wise man over the 30 years since his first appearance in the Cycle. I thought Mame Wilks was a bit weak, in fact, the weakest link in the ensemble, but I find myself questioning whether it was the acting, or perhaps Wilson wrote her role as not quite as compelling as, say, Risa, or Rose, or Berneatha, or many of Wilson’s other female character-types. When she says at the end, “I’m still standing here,” it rings a bit hollow and you wonder if their relationship will last or if, perhaps, she might run off with Roosevelt! At the same time, you wonder if Mame is right, and if Roosevelt is right, and if, perhaps, Harmon has taken this family thing too far. Then you remember Ceasar Wilks and Black Mary in Gem of the Ocean and you know that Harmon really is trying to do the right thing.
The stage setting was stunning and definitely added to the flow of the dramatic action. Bravo Zulu to Everyman Theater!
On substance, the staged production really accentuated the deterioration of the relationship between Harmon and Roosevelt. I could feel the tension between them growing, even while the “frat-boy” aspects of their college days managed to manifest itself in the plot development. I identified very strongly with Harmon, and I found myself almost despising Roosevelt for a number of reasons. And I also found myself anticipating action throughout, and I think that comes less from reading the play repeatedly and more from the actual acting and the practice of forwarding in the plat. The sound effects were also telling, especially the sound of the bulldozers at the end of the play.